A documentary on the production of series two of The Mighty Boosh.

A documentary on the production of series three of The Mighty Boosh.

A tour documentary of The Mighty Boosh's 2009 American promo tour. 3 cities/7 days of signings, Q&A's, and DJ sets-turned-performances to introduce the Boosh to the US!

Documentary of the creation of Series 1 of The Mighty Boosh.

Shot during the mammoth Future Sailors tour, this intimate film observes the comic genius of the Mighty Boosh as they navigate a nation hooked on its cult.

A behind-the-scenes documentary/tour movie of the Boosh 2006 live tour.

Are you ready to set sail into the future? Climb aboard HMS Boosh, hoist the perspex anchor, set the controls for the heart of the sun and come navigate the electrical seas with Cyborg Patrick and his Neon Barnacles. In this live Boosh presentation you will see Howard wrestle with the problems of the universe in tiny shorts, while Vince gets his hair extra big and flounces about, Bob Fossil's dance moves will turn you on then anger you over and over until you puke. You shall then weep with salty joy as Bollo and Naboo move about and say stuff in their own special way. The Boosh are mighty and sailing at you, strap your eyes onto your brain double tight, cos it's gonna get choppy like electric sushi.

In a run down inn, three groups of people is together for their own different goals and also a group of bank robbers that hide money in the inn. But then, the money is stolen and the inn owner is mysteriously murdered. Who is behind this event? The answer awaits you in Happy Inn.

The making of 'The World At War'. Each film in the 26 episode series had to be an essay on an aspect of the war, because the length and separate aspects of the war was far too much to cover in detail. Jeremy Isaacs talks about the production process and the aims of the project. The intention of the crew that were involved with the various skills in making 'The World at War' had no desire to use film from British, German, French, Polish, Russian, Japanese, or the Americans because of their specific means of showing the winning side of a specific action. Rather, an effort was made to interview people who were not part of the establishment, but rather the common people or assistants and secretaries of historical persons. Film was researched for those films from cameras where there was no special subject, but those that would allow the viewer to make their own decisions about what they had just seen and heard.